Academic Works
During my eight years of study of English language and literature, I had to write quite a few essays, and, so I’ve been told, some of them are pretty good. Now, as a professional academic, I specialize in transatlantic Romanticisms, which is what most of my research moving forward will be about. Here’s a selection of what I consider to be my best works. I hope you enjoy reading them!
You can follow my research updates on my staff page, on ResearchGate, and on Academia.
-
This is my Master’s thesis. It demonstrates that, for British Romantic authors writing in the 1815 – 1820 period, autumn—with its frequently nebulous weather, its variated atmospheric aesthetics, and its cultural clout as the season of both fruitfulness and decay—was an apt aesthetico-temporal trope to represent the tempestuous climate—or spirit—of their age. I argue that Mary Shelley’s Frankenstein (1818), Jane Austen’s Persuasion (1818), and John Keats’s To Autumn (1820) depict autumn as the season of missed time: an interval during which Victor Frankenstein, Anne Elliot, and Keats’s speaker find themselves in states of melancholy suspension in time and space, which is generative, at worse, of paralyzing and alienating perplexity, and, at best, of alleviating and grounding sensoriality in the here-and-now. The autumnal aesthetics and temporality of the three texts, I suggest, represent Shelley’s, Austen’s, and Keats’s literary engagement with, and response to the temporality of acceleration and contingency, as well as the climate of elusiveness and uncertainty of the age 1815 – 1820.
My thesis was awarded the Marcel Compagnon Prize in the Western languages, literatures, and civilizations category in 2022.
Access it here.
-
I presented this paper during the online component of the 2025 edition of the British Association for Romantic Studies Early Career and Postgraduate Researcher Conference, on the topic of “Romantic (Un)Consciousness.”
Access it here.
-
I presented this paper when I attended the 2024 edition of the British Association for Romantic Studies’ international conference.
-
This article is the written and revised version of a paper I delivered on August 13, 2023 at the Wordsworth Summer Conference (August 7 - 17, 2023), held at Rydal Hall, Cumbria (UK).
Access it here.
-
This is an essay that I wrote in 2020 for a Master’s class on the histories of the practice of reading texts across various periods and media.
Access it here.
-
I wrote this essay for a Master’s class on Victorian poetry.
Access it here.
-
I wrote this essay for a Master’s class on “unnatural” narratology in Native American texts.
Access it here.